Navy SEALs, a Beating Death and Claims of a Cover-Up

The three Navy SEALs stomped on the bound Afghan detainees and dropped heavy stones on their chests, the witnesses recalled. They stood on the prisoners’ heads and poured bottles of water on some of their faces in what, to a pair of Army soldiers, appeared to be an improvised form of waterboarding.

A few hours earlier, shortly after dawn on May 31, 2012, a bomb had exploded at a checkpoint manned by an Afghan Local Police unit that the SEALs were training. Angered by the death of one of their comrades in the blast, the police militiamen had rounded up half a dozen or more suspects from a market in the village of Kalach and forced them to a nearby American outpost. Along the way, they beat them with rifle butts and car antennas.A United States Army medic standing guard at the base, Specialist David Walker, had expected the men from SEAL Team 2 to put a stop to the abuse. Instead, he said, one of them “jump-kicked this guy kneeling on the ground.” Two others joined in, Specialist Walker and several other soldiers recounted, and along with the Afghan militiamen, they beat the detainees so badly that by dusk, one would die.

The four American soldiers working with the SEALs reported the episode, which has not previously been disclosed. In a Navy criminal investigation, two Navy support personnel said they had witnessed some abuse by the SEALs, as did a local police officer. Separately, an Afghan detained with the man who died provided a detailed account of mistreatment by American troops and Afghan militiamen in an interview with The New York Times.

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Star Wars The Force Awakens , your impressions ?

The big news about “Star Wars: The Force Awakens” is — spoiler alert — that it’s good! Despite the prerelease hype, it won’t save the world, not even Hollywood, but it seamlessly balances cozy favorites — Harrison Ford, ladies and gentlemen — and new kinetic wows, along with some of the niceties that went missing as the series grew into a phenomenon, most crucially a scale and a sensibility that are rooted in the human. It has the usual toy-store-ready gizmos and critters, but it also has appealingly imperfect men and women whose blunders and victories, decency and goofiness remind you that a pop mythology like “Star Wars” needs more than old gods to sustain it.
J. J. Abrams, the director of “The Force Awakens,” may not have the makings of a god or an empire builder like George Lucas, but he turns out to be what this stagnant franchise needs: a “Star Wars” superfan and pop culture savant. Given that the fans have been doing much of the heavy lifting for a while, holding up the franchise even as the filmmakers let them down with some titanic clunkers (“Attack of the Clones” — why, George, why?), it seems fitting that the new film was directed by one of their own. Mr. Abrams was 11 when he saw the original “Star Wars” back in 1977; by the time he was a teenager, he had a gig cleaning Steven Spielberg’s old student movies.

Video streaming too expensive ?

That is the question James Poniewozik says he asked himself when watching the “Sense8″ series on Netflix. It’s a good question because, as he points out, the rise of the binge watching of streaming shows is making us reconsider how we think of programming that we get through our TVs and other digital devices.

Original streaming shows like those offered by Netflix and Amazon, he argues, are different from TV series as we know them. “They’re becoming a distinct genre all their own, whose conventions and aesthetics we’re just starting to figure out,” he writes.

Like a novel? A video game? Streaming video seems like a mix of many things. Perhaps the real question is: Will companies like Netflix be willing to pay to continue the experiments?